Posts about living in, understanding, and finding the best of mavenhood.

Midlife women are showing up on high fashion runways, and menopause is finally part of the mainstream conversation. Style rules are catching up, as showing some grey or going fully grey reads as a deliberate style choice now.
For years, women coloring their hair had two options: keep covering every grey strand, or stop and grow it all out. Grey blending is a third option, mixing natural grey into the rest of your color and letting you set your own percentage of color to grey.
Grey blending mixes natural grey into the rest of the hair color using highlights, lowlights, toners, or glosses, tailored to the client’s hair and individual grey pattern. A colorist builds a mix of tones that weaves grey through the rest of the hair, keeping some of it visible against the surrounding color, resulting in a softer line at the roots as hair grows out. Celebrity colorist Cass Kaeding describes the technique as one that softens the line between roots and existing color while building dimension through the rest of the hair.1
UK grey blending specialist Rosie Baylis told Hairdressers Journal that around 90% of her inquiries come from women who aren’t ready to go fully grey but want their greys blurred.2
French Blending, a related term, gets used in two different ways. L’Oréal Professionnel trademarked it as a specific in-salon system built around what the brand calls a Vertical Weaving Technique, offered in three tiers depending on how much grey a client has. Independent colorists have since picked up the phrase as a general synonym for grey blending itself, separate from L’Oréal’s branded service. Celebrity colorist Jess Gonzalez, a PRAVANA Color Expert, describes it as “a modern approach to gray hair that embraces silver rather than fighting it.”3 Andie MacDowell, Jamie Lee Curtis, Jane Fonda, and Glenn Close have all worn versions of a blended look, mixing silver, pearl, and charcoal tones through their base color as the dominant statement.
The stigma that grey hair carried is finally loosening. Choosing to show grey now carries the same weight as choosing to go blonde or red. Color that flatters your skin tone and the overall look you’re going for have replaced age-related judgments as key factors.
There are practical considerations as well, like cost, time at the salon or at home, and the amount of time between salon visits. Permanent color that covers grey shows roots within weeks, which means frequent salon visits or more time covering roots at home. Grey blending extends the time between appointments by creating a soft transition into the color itself.
Grey grows in unevenly and in multiple shades. Some women get silver at the temples and hairline, some get scattered strands, some get a bold white streak at the crown. This shows up differently within each base color: black, brown, blonde, red, or years of layered color on top of any of those.
The variation in each person’s hair is why grey blending is a goal achieved over several sessions. The method depends on how much grey someone has, where it shows, what their base color is, and how much grey they actually want visible. A woman with dark permanent color and light grey roots manages a stronger visible contrast between appointments than a woman with highlighted blonde hair, whose existing color already mixes with silver and white. Texture, length, and hair condition all factor into what a colorist can realistically do. It’s this harder case, long dark hair with white roots, that carries the highest price tag, as the cost section below makes clear: more contrast to break up generally means more time in the chair and a higher price.

Pricing varies more than most hair services because this is a category made up of multiple, often layered techniques. The market is the biggest driver of cost: a New York or Los Angeles salon may quote two to three times what a Midwest salon would charge for the same service. One woman we spoke to about the cost of her grey blending said her NYC salon quoted her $1,500 in a consult, for long, dark hair with white roots. Which technique is required for your hair is another cost driver: a straightforward gloss-based blend costs significantly less than a full balayage or multi-foil session. A full color correction may be needed first if there’s heavy old buildup or dark permanent color to work through.
The upside shows up in frequency. Standard root touch-ups run every four to six weeks. Once the initial blend removes that hard demarcation line, grey blending appointments space out to every ten to sixteen weeks, depending on how fast your hair grows. From there, it’s mostly a question of personal comfort: some women want less grey showing and book more often, others want to stretch the time between salon visits as long as possible.
Grey hair runs drier and coarser than pigmented hair. Light grey and white strands also pick up yellow tones from heat, minerals, chlorine, sun, smoke, or product buildup quickly.
Your colorist should recommend a product routine tailored to your specific texture and the process, toner, or gloss they used. They can also advise on things to avoid, like chlorine, so the color doesn’t shift early. There might also be smaller in-between treatments, like a gloss that can extend the color’s vibrancy.
Grey and grey blending have become a style decision. You can start by letting a few silver strands show to see how it feels. You can try blending your color for a while and grow the rest out later. Or not. You can go back to full grey coverage if blending doesn’t work for you.
Stigmas surrounding aging and grey hair have been replaced by a multitude of hair color options. The shift has its own documentary by international hair and makeup artist Ilise Harris. “Your Roots Are Showing” frames grey hair acceptance as part of a larger movement tied to aging, visibility, and beauty standards.4
The decision to grey blend or go completely grey is the newest part of your midlife style strategy, whether you’re running errands or walking the runway.
Footnotes

Reading The Book Club for Troublesome Women by Marie Bostwick from the perspective of an adult woman in 2026 was fun. Some of the expectations placed on women in the 1960s feel almost impossible to imagine today, and others aren’t nearly as far behind us as we’d like them to be.
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The novel centers on four women, each in a different marriage and with varying levels of satisfaction with the lives they’re living. Their conversations begin with literature and segue into questions they’re afraid to ask out loud. Over time, a neighborhood book club becomes a genuine friend group, supporting one another through multiple waves of challenges.
One recurring detail in the novel is a chore calendar that hangs on the refrigerator in each woman’s home, listing the days and times for everything from grocery shopping to vacuuming the curtains. While this seems absurd by current standards, in a pre-internet, pre-cell-phone world, this was a near-guaranteed way to run into your friends or foes. If grocery shopping in the same aisle was a good way to stay connected, it may very well have been welcome. This detail was a clear reminder of how narrowly many women’s lives were expected to unfold.

There are pieces of Viv’s, Bitsy’s, and Margaret’s stories that speak to the decisions we make about our personal, professional, and romantic lives, and who we want to be in each. Each of these women was admirable in her willingness to ask questions that probably weren’t socially safe to ask, or maybe weren’t answered very often in the 1960s. Going back to work, claiming a professional identity, and protecting time for personal work weren’t as common in this time period. Balancing their interests and desires with a mix of spoken and unspoken expectations added pressure, guilt, and a layer of complexity we’ve only partially shed in the last 50-plus years.
The standout, and most mavenhood in spirit, was Charlotte, who stepped out and built something of her own. Opening an art gallery wasn’t just a career choice. It became a place where artists, ideas, friendships, and possibilities intersected. She didn’t continue waiting for life to happen to her; she created a physical and emotional space where other people’s lives could expand alongside her own.
The Book Club for Troublesome Women proved an excellent choice for discussion in our 2026 book club because every woman came away with a different question. Whether our attention settled on Charlotte, Viv, Bitsy, Margaret, 1960s etiquette, or another aspect of the book, we closed it with a different set of questions than the ones we had when we opened it.
Some of the best conversational threads it inspired had very little to do with the plot. What qualifies as abuse today that wasn’t considered abusive in the 1960s? Which barriers to a woman’s success still exist? Are friendships with women more important than a romantic relationship? Those aren’t questions the novel asks or answers outright, and they’re only a few examples of what it invites us to consider. Your questions will be different. That’s the point. That’s exactly the kind of trouble we like